Lovelies, have you seen the new website for Hazelet’s Journal? I am just adoring how Old Stone Press used Saissant; it’s the perfect match for an adventurer’s journal, don’t you think? I’m obsessed with the Alaskan Frontier, so this one is definitely going into my reading basket!
MyFonts just mailed out their November Rising Stars newsletter and it featured a familiar ‘face’ that you might recognize: Ondise! To say I’m excited & honored is an understatement; the fonts and designers included in this edition are just incredible. I mean, Charles Borges de Oliveira? Jeremy Dooley?? I’m pinching myself! As many of you know, I fell into font design almost by accident so to have one of my fonts mentioned alongside heavyweights like Le Havre, is pretty incredible.
It seems pretty crazy how far I’ve come since creating my first font, Vermandois. My background is in hand-lettering and graphic design; in early 2011 I was designing a project with a large amount of text that needed to be written in calligraphy. Lettering the piece by hand would have taken eons, so I figured I should try to turn my writing into a font. Easy, right? Well, no. (Stop laughing, typeface designers.)
Teaching myself the nuts & bolts of font design turned out to be a whole lot like teaching myself Japanese – exponentially complex and totally confusing – but it was also rewarding and addictive! (Ganbarimasu.) People, making a functional end product is hard. Every single letter of the alphabet (and then some) must be designed and harmonized with every other letter in the same alphabet. Unlike calligraphy, however, the characters can exist only in a straight line & must appear balanced no matter how they’re arranged. (No hand-lettering tricks allowed!) There’s spacing and kerning to contend with, connections must be designed to blend seamlessly and of course Opentype coding. All of these aspects make it sound like the medium is very limiting but honestly, once you really start mucking around you see that the real challenge is actually infinite possibilities. The most difficult part of transitioning from calligrapher to font designer has been developing the logical side of my brain so that I can recognize them. Folks, there is as much strategy in a font as there is design.
And Ondise is really the culmination of all of this self-teaching. She’s a much more robust font than my earlier releases, and I guess that shows – Ondise was released in late September and in that short time she’s rocketed to the top of MyFonts’ Hot New Fonts list. Right now, she’s the 15th best seller on the site. (Say what?!) I feel like I’ve hit my stride with this one, and am really, really proud of how much I’ve grown. There is so much more to come from my burgeoning solo foundry, Lovelies! Stay tuned…
Happy Halloween everyone! I’m celebrating today with kettle corn, Charlie Brown, and a brand new calligraphy font that I made called Dasha!!!
I drew Dasha up with a vintage dip pen and sumi ink, and really tried to keep the bouncing baseline look that is so beloved these days. The fantastic-amazing thing about Opentype is that designers can program fonts to look just like handwriting by adding clever features; things like letter pairs that automatically connect or alternate versions of the same letter, and even different initial and terminal letter forms. If you have access to Opentype software like the Adobe CS suite, you’ll see several ‘tricks’ in Dasha that make it look just like calligraphy:
- a full set of alternate capital letters
Most of these fun features also work in recent versions of Microsoft Word (2010 and newer) so if you’re designing your own invitations or wanting to print envelopes that look hand-addressed, you can simply turn on the advanced font options. Yay!
If you don’t have access to Opentype-friendly software, don’t fret — you can still access all of the extra characters, you’ll just need a third party application like Ultra Character Map (Mac) or PopChar (Windows) to view and copy/paste all of the goodies.
Personally, I think Dasha would make some amazing holiday cards! Or maybe wedding announcements?
It’s delicate, feminine vibe pairs well with vintage imagery too. I’m dreaming of gilded business cards!
You can pick up a copy of Dasha in our shop here. Right now she’s on sale for $32, but in a couple of weeks she’ll be available through my vendors too, and the price will go up a bit. Early birds, now is your chance!
Have you seen our new font, Ondise? She’s curvy and fluid, with a natural baseline that dances across the page. In addition to a full set of upper and lowercase letters, she has a full set of beginning & end-of-word swashes as well as several alternate ampersands. You’ll see just enough irregularity in the letters & numbers to give an authentic hand-lettered feel. Basically, I designed Ondise so that you could write awesome-looking script that seems as though it came out of a pointed pen instead of a printer! (Or a press, if that’s how you roll. Pun totally intended.)
Of course the best part is that she won’t break the bank. For the cost a real pointed pen, nibs and ink, you can pick up a convincing digital alternative and get started lettering right away.
And like proud moms everywhere, I can’t help but say that I’m super proud of Ondise. She is currently #8 in MyFonts’ Hot New Fonts list. Woo-hoo!